Selasa, 27 Mei 2014

Mary Anning [part 6]

Major discoveries

Ichthyosaurs

Rib, vertebrae, and pelvic bones in a stone matrix
Drawing of part of the skeletal remains of Temnodontosaurus platyodon, the first ichthyosaur found by Anning – from Everard Home's 1814 paper
Anning's first famous discovery was made shortly after her father's death. In 1811 (some sources say 1810 or 1809) her brother Joseph found a 4 ft (1.2 m) skull, but failed to locate the rest of the animal. After Joseph told her to look between the cliffs at Lyme Regis and Charmouth, Mary found the skeleton — 17 feet long in all (5.2m) — a few months later. The family hired workmen to dig it out in November that year, an event covered by the local press on 9 November, who identified the fossil as a crocodile.



Other ichthyosaur remains had been discovered in years past at Lyme and elsewhere, but the specimen found by the Annings was the first to come to the attention of scientific circles in London. It was purchased by the lord of a local manor, who passed it to William Bullock for public display in London where it created a sensation. At a time when most people in Britain still believed in a literal interpretation of Genesis, that the earth was only a few thousand years old and that species did not evolve or become extinct, the find raised questions in scientific and religious circles about what the new science of geology was revealing about ancient life and the history of the earth. Its notoriety increased when Sir Everard Home wrote a series of six papers, starting in 1814, describing it for the Royal Society. The papers never mentioned who had collected the fossil, and in the first one he even mistakenly credited the painstaking cleaning and preparation of the fossil performed by Anning to the staff at Bullock's museum. Perplexed by the creature, Home kept changing his mind about its classification, first thinking it was a kind of fish, then thinking it might have some kind of affinity with the duck-billed platypus (only recently known to science); finally in 1819 he reasoned it might be a kind of intermediate form between salamanders and lizards, which led him to propose naming it Proteo-Saurus. By then Charles Konig, an assistant curator of the British Museum, had already suggested the name Ichthyosaurus (fish lizard) for the specimen and that name stuck. Konig purchased the skeleton for the museum in 1819. The skull of the specimen is still in the possession of the Natural History Museum in London (to which the fossil collections of the British Museum were transferred later in the century), but at some point, it became separated from the rest of the skeleton, the location of which is not known.

Anning found several other ichthyosaur fossils between 1815 and 1819, including almost complete skeletons of varying sizes. In 1821 William Conybeare and Henry De la Beche, both members of the Geological Society of London, collaborated on a paper that analysed in detail the specimens found by Anning and others. They concluded that ichthyosaurs were a previously unknown type of marine reptile, and based on differences in tooth structure, they concluded that there had been at least three species. Also in 1821, Anning found the 20 ft (6.1 m) skeleton from which the species Ichthyosaurus platydon (now Temnodontosaurus platyodon) would be named. In the 1980s it was determined that the first ichthyosaur specimen found by Joseph and Mary Anning was also a member of Temnodontosaurus platyodon.

Plesiosaurus

Drawing of partially complete skeleton of creature with long thin neck, small skull, and paddles
Drawing published in the Transactions of the Geological Society of the nearly complete Plesiosaurus dolichodeirus skeleton found by Anning in 1823
Her next major discovery was a partial skeleton of a new type of marine reptile in the winter of 1820–1821, the first of its kind to be found. William Conybeare named it Plesiosaurus (near lizard) because he thought it more like modern reptiles than the ichthyosaur had been, and he described it in the same 1821 paper he co-authored with Henry De la Beche on ichthyosaur anatomy. The paper thanked the man who bought the skeleton from Anning for giving Conybeare access to it, but does not mention the woman who discovered and prepared it.[53][56] The fossil was subsequently described as Plesiosaurus dolichodeirus and is the type specimen (holotype) of the species, which itself is the type species of the genus.

In 1823 she discovered a second even more complete plesiosaur skeleton (the first one had been missing the skull). When Conybeare presented his analysis of plesiosaur anatomy to a meeting of the Geological Society in 1824, he again failed to mention Anning by name, even though she had collected both skeletons and she had made the sketch of the second skeleton he used in his presentation. Conybeare's presentation was made at the same meeting at which William Buckland described the dinosaur Megalosaurus and the combination created a sensation in scientific circles.
Photo of cast of skeleton of creature with long curved neck, and paddles
Cast of Plesiosaurus macrocephalus found by Mary Anning in 1830, Muséum national d'histoire naturelle, Paris
drawing of skeleton of creature with long curved neck and paddles
Skeleton of the Plesiosaurus macrocephalus given above as drawn by William Buckland
Conybeare's presentation followed the resolution of a controversy over the legitimacy of one of the fossils. The fact that the plesiosaur's long neck had an unprecedented 35 vertebrae raised the suspicions of the eminent French anatomist Georges Cuvier when he reviewed Anning's drawings of the second skeleton, and he wrote to Conybeare suggesting the possibility that the find was a fake produced by combining fossil bones from different kinds of animals. Fraud was far from unknown among early 19th century fossil collectors, and if the controversy had not been resolved promptly, the accusation could have seriously damaged Anning's ability to sell fossils to other geologists. Cuvier's accusation had resulted in a special meeting of the Geological Society earlier in 1824, which, after some debate, had concluded the skeleton was legitimate. Cuvier later admitted he had acted in haste and was mistaken.

Anning discovered yet another important and nearly complete plesiosaur skeleton in 1830. It was named Plesiosaurus macrocephalus by William Buckland and was described in an 1840 paper by Richard Owen Once again Owen mentioned the wealthy gentleman who had purchased the fossil and made it available for examination, but not the woman who had discovered and prepared it.

Fossil fish and pterosaur

sketch
The holotype specimen of Dimorphodon macronyx found by Mary Anning in 1828
Anning found what a contemporary newspaper article called an "unrivalled specimen" of Dapedium politum.[60] This was a ray-finned fish, which would be described in 1828. In December of that same year she made an important find consisting of the partial skeleton of a pterosaur. In 1829 William Buckland described it as Pterodactylus macronyx (later renamed Dimorphodon macronyx by Richard Owen), and unlike many other such occasions, Buckland credited Anning with the discovery in his paper.
It was the first pterosaur skeleton found outside Germany, and it created a public sensation when displayed at the British Museum. In December 1829 she found a fossil fish, Squaloraja, which attracted attention because it had characteristics intermediate between sharks and rays.

Invertebrates and trace fossils

Vertebrate fossil finds, especially of marine reptiles, made Anning's reputation, but she made numerous other contributions to early palaeontology. In 1826 she discovered what appeared to be a chamber containing dried ink inside a belemnite fossil. She showed it to her friend Elizabeth Philpot who was able to revivify the ink and use it to illustrate some of her own ichthyosaur fossils. Soon other local artists were doing the same, as more such fossilised ink chambers were discovered. Anning noted how closely the fossilised chambers resembled the ink sacs of modern squid and cuttle fish, which she had dissected to understand the anatomy of fossil cephalopods, and this led William Buckland to publish the conclusion that Jurassic belemnites had used ink for defence just as many modern cephalopods do. It was also Anning who noticed that the oddly shaped fossils then known as "bezoar stones" were sometimes found in the abdominal region of ichthyosaur skeletons. She noted that if such stones were broken open they often contained fossilised fish bones and scales, and sometimes bones from small ichthyosaurs. Anning suspected the stones were fossilised faeces and suggested so to Buckland in 1824. After further investigation and comparison with similar fossils found in other places, Buckland published that conclusion in 1829 and named them coprolites. In contrast to the finding of the plesiosaur skeletons a few years earlier, for which she was not credited, when Buckland presented his findings on coprolites to the Geological Society, he mentioned Anning by name and praised her skill and industry in helping to solve the mystery.

Impact and legacy

Watercolour of prehistoric animals and plants living in the sea and on the nearby shore; foreground figures include pterosaurs fighting in the air above the sea and an ichthyosaur byting into the long neck of a plesiosaur.
The geologist Henry De la Beche painted the influential watercolour Duria Antiquior in 1830 based largely on fossils found by Anning.
Anning's discoveries became key pieces of evidence for extinction. Georges Cuvier had argued for the reality of extinction in the late 1790s based on his analysis of fossils of mammals such as mammoths. Nevertheless, until the early 1820s it was still believed by many scientifically literate people that just as new species did not appear, so existing ones did not become extinct—in part because they felt that extinction would imply that God's creation had been imperfect; any oddities found were explained away as belonging to animals still living somewhere in an unexplored region of the earth. The bizarre nature of the fossils found by Anning, some, such as the plesiosaur, so unlike any known living creature, struck a major blow against this idea.

The ichthyosaurs, plesiosaurs, and pterosaur she found, along with the first dinosaur fossils which were discovered by Gideon Mantell and William Buckland during the same period, showed that during previous eras the earth was inhabited by creatures very different from those living today, and provided important support for another controversial suggestion of Cuvier's: that there had been an "age of reptiles" when reptiles rather than mammals had been the dominant form of animal life. A phrase that became popular after the publication in 1831 of a paper by Mantell entitled "The Age of Reptiles" that summarised the evidence that there had been an extended geological era when giant reptiles has swarmed the land, air, and sea.[64] These discoveries also played a key role in the development of a new discipline of geohistorical analysis within geology in the 1820s that sought to understand the history of the earth by using evidence from fossils to reconstruct extinct organisms and the environments in which they lived. This discipline eventually came to be called palaeontology. Illustrations of scenes from "deep time" (now known as paleoart), such as Henry De la Beche's ground-breaking painting Duria Antiquior, helped convince people that it was possible to understand life in the distant past. De la Beche had been inspired to create the painting by a vivid description of the food chain of the Lias by William Buckland that was based on analysis of coprolites. The study of coprolites, pioneered by Anning and Buckland, would prove to be a valuable tool for understanding ancient ecosystems.

Throughout the 20th century, beginning with H.A. Forde and his The Heroine of Lyme Regis: The Story of Mary Anning the Celebrated Geologist (1925), a number of writers saw Anning's life as inspirational. She was even the basis of Terry Sullivan's 1908 tongue twister, "She sells seashells," according to P.J. McCartney in Henry de la Beche (1978):
portrait of woman with bonnet, rock hammer, and small dog
Posthumous painting of Anning by B. J. Donne from 1847, based on the 1842 portrait at the head of this article
She sells seashells on the seashore
The shells she sells are seashells, I'm sure
So if she sells seashells on the seashore
Then I'm sure she sells seashore shells.
Much of the material written about her was aimed at children, and tended to focus on her childhood and early career. Much of it was also highly romanticised and not always historically accurate. She has been referenced in several historical novels, most notably in The French Lieutenant's Woman (1969) by John Fowles, who was critical of the fact that no British scientist had named a species after her in her lifetime.

As her biographer, Shelley Emling, noted, this contrasted with some of the prominent geologists who had used her finds, such as Buckland and Roderick Murchison, who ended up with multiple fossil species named after them. The only person who did name a species after her during her lifetime was the Swiss-American naturalist, Louis Agassiz. In the early 1840s he named two fossil fish species after her—Acrodus anningiae, and Belenostomus anningiae—and another after her friend Elizabeth Philpot. Agassiz was grateful for the help the women had given him in examining fossil fish specimens during his visit to Lyme Regis in 1834.

After her death, other species, including the ostracod Cytherelloidea anningi, and two genera, the therapsid reptile genus Anningia, and the bivalve mollusc genus Anningella, were named in her honour.
In 1999, on the 200th anniversary of her birth, an international meeting of historians, palaeontologists, fossil collectors, and others interested in Anning's life was held in Lyme Regis. In 2005 the Natural History Museum added her, alongside scientists such as Carl Linnaeus, Dorothea Bate, and William Smith, as one of the gallery characters it uses to patrol its display cases. In 2009 Tracy Chevalier wrote a historical novel entitled, Remarkable Creatures, in which Anning and Elizabeth Philpot were the main characters, and another historical novel about Anning, Curiosity by Joan Thomas, was published in March 2010. Also that month, as part of the celebration of its 350th anniversary, the Royal Society invited a panel of experts to produce a list of the ten British women who have most influenced the history of science. They included Anning in the list.

On 21 May 2014, the 215th anniversary of Mary Anning's birthday, Google's search engine celebrated in many countries with a "doodle" featuring an illustration of her collecting fossils.


SUMBER : http://en.wikipedia.org/wiki/Mary_Anning

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